Percy Thrower

20. KiNK - Existence

Combining deep house with the spirit of early '90s rave, this was both a euphoric, point-your-fingers-to-the-sky banger and a considered slow-burner in equal measure. After a steady, tightly produced intro, the acid rain clouds that are gathering overhead suddenly burst, unleashing a downpour of old-skool piano riffs to leave you with a big grin on your sopping wet face.

19. Zola Jesus - Night

A leading figure in the rising gothic ambient movement that's reared it's mascaraed head in 2010, Zola Jesus released an experimental collaborative EP with LA Vampires as well as solo album 'Stridulum II' this year, and it's from the latter that this towering, atmospheric number comes from. Starting as it means to go on - i.e. ominously - a scattering of whispered voices pave the way for Zola's majestic, Siouxsie Sioux-esque voice to tread alongside the unforgiving and powerful beating of the drum that drives the track, creating a strong contender for 'anti-anthem of the year'.

18. Pantha du Prince - Stick To My Side (Four Tet version)

Reading like a list of the most highly talented but potentially conversationally awkward dinner guests that one could invite round for some Christmas turkey, Pantha du Prince, Noah Lennox (aka Animal Collective's Panda Bear) and Four Tet combine to make a track that easily lives up to its production credits. Taking the already excellent original from the heart of Pantha du Prince's 'Black Noise' album, Four Tet leaves the vocals more or less in tact but injects some of his trademark warm, chiming techno to give the song a bit of a mood lift, and to my mind pushing the song to an even higher level.

17. Girl Unit - Wut

'Wut' is like a more brazen, in-your-face version of Joy Orbison's 'Hyph Mngo', which I can assure you is in no way an insult. Featuring the same sense of wistful euphoria as Joy Orbison's masterpiece, this became a staple of many-a DJ set across the land, often serving well as an end-of-night closer. The Night Slugs label released a bountiful amount of quality material this year, and Girl Unit's seven-minute epic is a fine pinnacle of their 2010 catalogue.

16. Darkstar - Gold

As has become the norm amongst heralded dubstep producers recently, here was Darkstar's turn to cover one of The Human League's obscure early '80s B-sides. Er wait, what? In fact, 2010 was a year in which Darkstar did very little by the book, switching from the beat-driven dubstep style of early tracks such as 'Need You' to, well, mellow synth-pop. After a bit of confusion it became obvious that it worked, as this exquisite cover of 'You Remind Me Of Gold' proved.

15. Deadboy - If U Want Me

Deadboy strode on to the scene in impressive fashion towards the end of 2009 with his 'U Cheated' EP, and his love for a R&B vocal and a funky bassline showed no sign of dwindling as we moved in to a fresh decade. This lusciously captivating delight filled mixes and sets for months, and further fuelled Numbers' ability to consider themselves as one of the year's top labels.

14. Fritz Kalkbrenner - Facing The Sun

Brother of legendary German techno producer Paul Kalkbrenner (of, amongst a wealth of other things, 'Berlin Calling' fame), Fritz took further steps towards his own solo career this year with the release of his début LP, which was led by this blissful brain-warmer. While the guitar is an often overlooked instrument in the worlds of house and techno, the delicate riff on 'Facing The Sun' is really rather gorgeous, especially when layered with the poignant beauty of the vocals. The production on the track is deep and organic, resulting in one of the most enchanting treats that you could bestow upon your ears this year.

13. D Double E - Street Fighter Riddim

To my thoroughly unqualified and amateur grime mind, this was this year's 'Next Hype'. I think by that I mean 'Street Fighter Riddim' was one of those tunes that transcended the confines of the grime community, and made a name for itself in the wider world. A bit like P Money's brilliant '1 Up' last year, the lyrical theme here is retro console games, but the real appeal of this tune is in the production, namely the brutal bass stabs that pepper the track behind D Double E's snarled spitting.

12. Débruit - Nigeria What?

Let's face it, an EP that comes complete with 3D specs to observe the cover art properly is either gonna be brilliant, or shit. Delightfully, the entirety of Débruit's internationally-flavoured 'Spatio Temporel EP' was great, but the particular highlight was the disarming closer, 'Nigeria What?', which expertly fused squelching bass bubbles with a sub-Saharan riff and hot vocal snaps. 3D glasses may have been required for the artwork, but the music itself belonged to a whole other dimension.

11. Flying Lotus - Do The Astral Plane

I don't think I'll ever find an intro to a song that makes me as happy as the gentle, abstract scatting that ushers in 'Do The Astral Plane'. The most danceable track on his latest 'Cosmogramma' album, and possibly the most danceable of his career to date, Flying Lotus deploys a joyfully simplistic tune which has become perfect 'call and response' fodder for the close of his live shows. Featuring his typically micro-managed production, 'Do The Astral Plane' is like it's own little world, where hip-hop, jazz and string samples coexist happily together in permanently sun-soaked fields. This song is probably what would emit from your computer speakers if you typed 'bliss' in to that programme that speaks what you write.

Some shizzle from two thousand and tizzle

A lot has changed since the last blog post on here. The UK public have rejected The Strangler's maxim that there's "never a frown with Gordon Brown", leaving the country in the hands of men like this. Iceland and Greece, two countries that had previously been considered the height of cool, have proved themselves to be nothing more than ash-spouting, money-grabbing twatsacks, hell-bent on squatting over Europe and taking a big steaming dump, thereby stinking out the whole continent with the pong of dried fish and tzatziki-laced faeces. And the world was rocked by the injustice suffered by a young man who, despite allegedly committing nanacide, was still a much loved member of the community and would forever remain the subject of affection for one particular lucky lady. The world was rocked even further when it gradually, and then definitively, transpired to be a hoax, but the whole affair raised the important discussion of when it is and isn't justified to stab your girlfriend's nan, a moral dilemma which we can only hope is something that future generations will think long and hard about. Tehehehe, long and hard.


Anyway, there's also been plenty of bootylicious music released since the last post, so in one of the many moments of madness I experienced during my recent fortnight-long crystal meth binge I decided to bundle together some musical highlights from the year so far, and slap them on here for you to observe with little interest. Having laden myself with the stupid and generally irrelevant blog title of 'The Hardcore & The Gentle', I thought I'd attempt to make the most of a bad situation by dividing the tracks I'd collated in to 'Hardcore' and 'Gentle' categories. For the sake of making this pathetic attempt at descriptive shoe-horning work, the 'hardcore' tracks are generally faster, more dancefloor-orientated beasts, while the 'gentle' are more chillin' little numbers. Ya dig? Let it be known that this is neither a well-thought out nor comprehensive and thorough selection, but if you've been reading this blog for any longer than a minute then you'll already have realised that's just business as usual. Oh, and for any long-term fans of my online file-hosting habits, I've now switched from Mediafire to Zippyshare to upload the songs, as Mediafire is a gigantic piece of shit and was probably invented by a man with a Greek dad and an Icelandic mother. It should still be easy as peasy to download the songs, if for some reason you wanted to do that.

HARDCORE

• F - Energy Distortion - needless to say it can be a tough task finding tracks on Google by a producer known simply as F, but as the techno-dubsteppy skittering of Energy Distortion proves, the hunt is very much worthwhile.
• Deadboy - If U Want Me - Deadboy's U Cheated achieved the much-coveted sixth spot in my countdown of favourite songs in 2009, and he's followed it up with another excellent R'n'B-tinged dancefloor stormer. The man certainly knows how to conjure up a funky bassline and catchy vocal hook, and If U Want Me has already become a staple tune for any mix with even an ounce of self-respect.
• Scratcha DVA - Ganja - this tune uses a similar 'Clangers on pills' sound effect that Mujava used on one of the millennium's greatest dance tracks so far, Township Funk, and if listening to Ganja doesn't make you wanna wobble your legs and wave your arms around like a funky octopus, then you're not quite right in the 'ead mate.
• Kyle Hall - Must See - after dipping his toes in to the dubstep paddling pool with his Kaychunk / You Know What I Feel EP on Hyperdub, the young Detroit prodigy returns to the familiar realm of jazzy house on his latest release. Plus, all of his previous releases are now available to buy on Bleep, which would not be a bad investment at all if you've got a few spare bob lying around.
• Omar Souleyman - Ala Il Hanash Madgouga - Syrian psychedelic folkster Omar Souleyman has returned with another album packed full of frantic craziness with a delightful Middle Eastern flavour, perfect for white British boys such as myself to sit at home listening to while pretending that the majority of people from the originating region don't hate our guts.
• Ceephax Acid Crew - Castilian - if Arabia does ever grow tired of white British boys such as myself leeching off their psychedelic exports, then fortunately we'll always have United Acid Emirates, the latest album from Squarepusher's brother, Ceephax Acid Crew (funny names they have in that family, eh?). As usual it's chock-a-block with bleepy goodness, with a pH level so low it'd turn litmus paper the colour of Lenin's tongue. Cor, what a bloody brilliant string of references that was.
• MMM - Nous Sommes MMM - for those of you who, like Girls Aloud, don't speak French, the title of this song translates as "we are MMM". I think it's probably called that because it's produced by MMM. Therefore it's MMM making the track, and they're pointing out that fact to you through the song title. In French. Who says this blog isn't informative or culturally relevant?
• Actress - Always Human - Actress' last album, Hazyville, was pretty brilliant, and his follow-up, Splazsh - released on Damon Albarn's label Honest Jon's - is of a similar pedigree. Muffled, moody dub-techno flows throughout the record, affirming Actress' status as one of the top innovators on the British scene at the moment.

gentle

• Emeralds - Candy Shoppe - guess which one of the following descriptions refers to this song by American trio Emeralds, and which one refers to the song of a similar name by American one-man shit factory 50 Cent: 1.) an exquisitely crafted track of floating beauty, this is musical creation at it's most intelligent; 2.) typically posturing nonsense from one of the music world's most unnecessary and unwanted acts. Actually, there can be no right answers when 50 Cent's concerned, only woe and misfortune. So don't bother answering that question.
• Randy Barracuda - Streisand Effect - while the song and artist name probably aren't purposefully linked here, I imagine that if you called up a veterinarian in a moment of concern for your overly-horny pet fish, their response would be, "You've got a randy barracuda? Has it been watching 'Hello, Dolly!'? It has? Ah right then, it's just suffering from the Streisand Effect. Just put it in a cold bath for half an hour and play it Fergie's music videos on repeat - that should do the trick" ~ [half an hour later] ~ "Your barracuda's just slit it's wrists in the cold bath? Ahh shit..."
• Ramadanman - I Beg You - in which Ramadanman takes a phrase popular with both doomed medieval prisoners and modern-day young people from London and bases a song around it, using his characteristic pulsing drum patterns and a haunting vocal sample.
• The Crystal Ark - The City Never Sleeps - Gavin Russom follows up his awesome acid house project Black Meteoric Star by moving in to the guise of The Crystal Ark, with this track a deep, sprawling tribute to South American music. A twelve-minute masterpiece.
• Holy Fuck - Red Lights - the only way to express how continually brilliant Holy Fuck are is by simply exclaiming the group's name in sheer wonderment, as this track - along with the rest of their new album, Latin - is friggin' ace. With their last album, 2007's LP, being one of my top favourites from that year, combined with completely wowing me when I saw them live a couple of years ago, the Canadian outfit can do no wrong in my eyes, and fortunately the strength of their new record won't be changing that opinion anytime soon.
• Scuba - You Got Me - a few of the tracks listed so far feature on some of my favourite albums of the year, but Scuba's Triangulation is possibly currently sitting at the top of that pile. The album is class from start to finish, and I could've chosen any number of songs from it to demonstrate it's greatness.
• Mark E - Slave 1 - while not strictly from 2010 (as the album title 'Mark E: Works 2005-2009' would strongly imply), the compilation was only released this year so it blatantly still counts. This is the kind of deep house that Haagen-Dazs should be turning in to an ice-cream flavour, as it is absolutely delicious. They probably won't though, they never listen to my ice-cream flavour suggestions. All I've got for my attempts at helping is a draw-full of 'cease and desist' orders, and regular home visits from a psychotherapist.
• jj - Into The Light - this isn't actually the best song from Swedish group jj's newest album, which in turn isn't quite as good as their last album, but if you can show me a better example of a song fusing melodic synths and floating vocals with snippets of Italian football commentary describing Zlatan Ibrahimovic scoring a goal (or at least, that's what one would presume is happening), then by all means I would love to hear it. Oh, what's that? You can't find a better example? WELL FUCK OFF THEN.
• Toro y Moi - Lissoms - "lo-fi", "chillwave", and "glitch-hop" are all words that are bandied about a lot these days, often with the person using the words not really knowing what they're talking about, but this lo-fi piece of glitch-hoppy chillwave is really, erm.... really good. Yeah.
• Flying Lotus - Do The Astral Plane - the United Nations recently passed a motion making it illegal to say a bad word about Flying Lotus (the punishment for any dissident being to swear an oath to a block of wood with a smiley face crudely painted on, acknowledging that even it has superior musical knowledge to the FlyLo hater), which would be problematic and dictatorial if it weren't for the fact that it's very hard to say a bad word about Flying Lotus in the first place. I'm still undecided as to whether Steven Ellison's latest offering, Cosmogramma, is his best to date, but one thing's for certain - it's certainly very good. Or at least, that's what Reinhard - my crudely painted wooden superior - has told me.

BYE BYE !!!!!!!!!!!!

wonkyandglitchy (or, Let's Not Get Ravey)

Just earlier today I booked myself a ticket for the juicy-looking Thrasher night at the Warehouse Project in October. Now, due I think to having lived a year in Sheffield, I've become somewhat immunized to the attraction of dubstep; so, following an instant widening at the sight of Modeselektor live topping the bill, my eyes slumped back in to a lazy and rather indifferent shape when the likes of Skream, Benga, Caspa and Rusko appeared on the list. I'd guesstimate that each of those DJs has appeared at least 3 times each in the space of the last 9 months or so in the Steely City, thus rendering them a bit boring and stale in my eyes. Even the presence of the likes of Joker and Mary Anne Hobbs wouldn't be enough to make me scuttle over to Manc with a £17.50 + booking fees-shaped hole in my pocket, although it would undoubtedly be a fine night nonetheless. The names that really caught my eye (just realised that's already the third use of 'my eye' there, sorry) on the line-up were the non-English contingent, largely in the second room:

Daedelus - The Gaslamp Killer - Rustie - Dam Funk - Nosaj Thing

Unfortunately, this is where this blog posts starts to wobble and stumble somewhat, as if it had just downed two bottles of Lambrini and was now beginning to make it's way down a Middlesborough high street on a Friday night. The issue here is that while I feel fairly safe in labelling the produce of messrs Skream, Benga and Caspa etc as 'dubstep', I don't really know what genre of music the DJs above would fall in to. Fortunately for me, I've checked, and no-one else seems to know either. Depending on where you look, you'll find their musical efforts labelled 'glitch-hop', 'lazer bass', 'wonky', 'instrumental hip-hop', or 'aquacrunk' if you're Rustie (and which is my personal favourite). A mighty good introduction to the world of glitchylazercrunkstep is through Alexander Nut's Rinse 08 CD, which mixes off-beat hip-hop, off-beat dubstep, and off-beat policemen together to ear-pleasing effect.

I'm finding it hard to think of things to say about the American producers without falling in to the trap of speaking like Tim Westwood - phrases such as "the West Coast is where it's at", "there are some dope beats coming outta Cali right now", and "LA is totally killing it, yo" all temptingly spring to mind, but alas haven't been acceptable for use by a white middle-class English boy since, well, Westwood was a kid. A number of the big-hitters in the West Coast scene are represented in the Thrasher line-up, offering up relatively rare UK performances from Daedelus, Nosaj Thing, The Gaslamp Killer and Dam Funk (or Dâm-Funk, as several Last.fm users will earnestly insist). GLK, who holds a residency at glitch-hop mecca Low End Theory club in LA, takes influences from hip-hop and jazz, adds some bass and off-beat beats here and there, then squeezes the resulting concoction through a psychedelic sieve before capping the whole thing off with a wild and rather grand beard. Dam Funk's music has obvious roots in hip-hop, and Dam can this guy Funk. His tunes are filled with irresistible bass lines and drum kicks, often accompanied by funk-packed synths floating along on top, which make head-bopping and foot-tapping almost reflex actions when listening. His could well make for the most fun set at Thrasher!

The Gaslamp Killer - Turk Mex

Dam Funk - Hood Pass Intact

Cubic Zirconia - Fuck Work (Dam Funk Remix)

From previous experience, the main challenger for the accolade of most enjoyable set will be Daedelus. Having completely lost all recollection of his set at Sheffield's Tuesday Club earlier this year due to having drunk my way through two bottles of white wine that had been taped to my hands earlier in the evening, I was distraught to hear that the Californian - with his trademark lamp-chop sideburns and ye olde garb, looking for all the world like he should be presiding over a Victorian court-room - presided over one of the best sets to have graced Tuesday Club in all it's many years. Fortunately for Muggins McPhee, aka Me, fate was to deliver Alfred Darlington, aka Daedelus, in to my grasps (pretty literally) within a matter of days, as a group of Sheffield's finest took our shape-pulling over to a night in Manchester, where he happened to be playing again. Having spotted, and duly accosted, him in the venue prior to his set, I released the chap from the clutches of my loving embrace and earnest jibberish for him to deliver a truly mega performance. Here I must point out that Daedelus is probably one of the most aptly named DJs there is - a bit of wikipedia research reveals that, in Greek mythology, Daedalus means "cunning worker", who was a "craftsman so skilful that he was said to have invented images that seemed to move about". He was also "the creator of a wide dancing-ground", something his similarly spelt modern namesake definitely manufactured in Manchester. Using a big white box (sorry if that's too technical, it's name is a Monome) instead of traditional turntables, he conjured up a storming set, and was successfully beckoned back to the stage by the howls of the crowd for an encore. Definitely worth trying to catch him live, he should tear up the Warehouse Project and is also returning to Tuesday Club on October 27th.

Flying Lotus - 1983 (Daedelus Odd-Dance Party Remix)

AIN'T NOSAJ THING AS HALFWAY CROOKS.... is a dodgy, tenuous, and ultimately pointless way of introducing this next fella. The tunes of Nosaj Thing would, probably, be the most likely out of the four Yanks featured here to be mixed in to a dubstep mix, given his fairly minimal style, throbbing basslines and dubsteppy drum patterns on a number of tunes. Nosaj Thing, however, is not dubstep. What he does is takes hip-hop beats, strips them down, adds some glitches and perhaps some extra drum kicks before applying a coating of ambience, resulting in music that can be enjoyed both in the comfort of your armchair, as well as in a club environment. Listening to superb recently released debut album Drift is a highly satisfying experience and leaves me with a sense of enormous well-being, as Phil Daniels doth say in 'Parklife'. I'm imagining his live set to be quite an uplifting and euphoric affair, which is obviously setting myself up massive disappointment but I have faith that Nosaj won't let me down.

Jogger - Nice Tights (Nosaj Thing Remix)

Now on to a bitta British. Rustie hails from Glasgow and, unlike his name, is anything but an iron oxide corrosion formed on iron and its alloys (we'll pause for a second to let all you chemists out there catch your breath and sew your split sides back up). As could be expected from a resident of the United Kingdom, many of his productions are more obviously dubstep-based, but with a very generous amount of glitch sprinkled on top. Often sounding more like he's playing on a Snes rather than any kind of musical instrument, his tunes are filled with beeps, lazers and squelchs laid on top of rasping and irregular bass.

Rustie - Zig-Zag (Reprise)

While we're back in Blighty, here's a few other producers who I'm mighty sweet on at the moment. Zomby is an intriguing character - having released an album harking back to the days of early '90s rave, he has since tended to pursue his usual line of slightly eery 8-bit dubstep, which will often have your head nodding at a more rapid rate than many other dubstep records. From my investigations over the past months you stand a better chance of catching him at a club if you happen to dwell in some corner of the world other than England - he was even originally on the bill for a Wax:On event in Leeds I was attending earlier this year, but mysteriously vanished off the line-up a couple of weeks before it took place. Still, he continues to make some damn fine tracks. And lo and behold, here's one such track:

Zomby - Digital Fauna

Now to two very exciting up-and-coming London producers: Floating Points and Mount Kimbie. Although not many of his tracks are around right now, Floating Points is fast becoming my favourite producer at the moment. He creates well-layered tunes that flit between ambient chilled-out melodies and body-moving beats. Like an English Nosaj Thing, his music can be enjoyed at home or at a club in equal measures. Well worth watching out for me thinks. Mount Kimbie are also purveyors of ambient/up-tempo sounds, and may well draw comparisons to Burial due to an emotional presence in their tracks. In terms of beats and tempo they're more similar to the likes of Martyn or Starkey, and if a combination of Martyn and Burial is ever considered a bad thing then you know the world will have gone truly bonkers. They've released two excellent EPs so far, Maybes and most recently Sketch on Glass, and look to have a promising future. Don't be surprised if their debut album follows in Burial's footsteps and bags a cheeky Mercury Prize nomination itself, whenever it may be released.

Floating Points - J&W Beat

Mount Kimbie - 50 Mile View

And thus concludes this post on the glitch and the wonk that's rearing it's head at the moment in the world of musique electronique. However, not to forget one of the greatest influences in this Brave New Genre, to round off here's a couple of tracks by the master of the art, Flying Lotus:

FLYamSAM (Flying Lotus & SamiYam) - The Offbeat

Flying Lotus - Promiscuous (Remix of Nelly Furtado)

BONUS TRACK: Free The Robots - The Bearded Lady Theme (HIGHLY enjoyable)

A casual introduction to... The Hardcore and The Gentle

First things first, I've just been to see Harry Potter and the Half-Blood Prince and can now confirm that if Alan Partridge was to model his hair in the style of a German lesbian then he would look identical to Draco Malfoy.

On a lesser note, allow me to welcome you to the latest, and for now almost definitely the worst, addition to what is often named 'the blogosphere'. I thought it wouldn't be appropriate not to name the blog after a somewhat obscure song lyric which is far from instantly recognisable (it's drawn from 'Big Time Sensuality' by Bjork), and for those that were worrying that this blog will discuss songs that are purely either hardcore or gentle then I can assure you that's not the case, as that would be a ridiculous premise for a blog.

Any songs that may feature on these pages will be songs that I consider to be 'just great songs', and won't necessarily be brand spanking new. This is so that I can throw a range of - what i consider to be - mega-dope tunes at you, whether they be old, new, or not even created yet; tunes that I feel will be pleasurable upon your dainty ears, but won't necessarily grant you the opportunity for a self-satisfied smug smile (not a sentence for the lispers, that) whenever a new dancefloor destroyer is dropped in a club, as the crowd around you goes mental but you are able to calmly shrug and smirk, "Huh, this is old news".

For those of you who were rightly not taken in by the previous explanation, the real reason that the songs on here probably won't be particularly new is because I don't have any prestige as a blogger, and therefore no-one sends me their new tunes. They don't even send me their old tunes. Shiiiit, I really need some tunes. For the love of God, PLEASE SOMEONE SEND ME SOME TUNES, ANY TUNES, POST ME YOUR OLD COPY OF 'SPICE WORLD' ON CASSETTE TAPE IF YOU MUST, JUST SEND THE DAMN THING. Anyway, to cover up this fact from now on, the songs will be presented in a special section I like to call: "Songs I'm Currently Listening To". Whilst not a very imaginative title, it does handily dodge the need for the songs themselves to actually BE current. So basically, if you want a blog with a silly and slightly emo-sounding name that sneaks around pretending to be a properly constructed music blog when it is in fact the complete opposite, then 'The Hardcore and The Gentle' is for you. If however you want new, fresh songs, well thought-out reviews and thoroughly researched and insightful background detail, then I suggest you look elsewhere, and get your 'ead checked you wally, you're bloomin' maaad you are!

Right, without further ado, here's the inaugural edition of 'Songs I'm Currently Listening To'. Here's an indefinite selection of tracks (depending on how quickly I get bored of uploading them, it's probably gonna be five) that you can download, listen to, and treasure, and perhaps the next time you see me you'll even feel compelled to proclaim, "Hey, yeah, Jack, loved that tune dude, U DA MAN!" and do this: http://www.youtube.com/watch?v=uAopLTK4qVs

(I should mention that these songs won't all be of a particular genre, although I imagine quite a few will be of the electronic variety. Also, if by some incredible turn of events you happen to be reading this and you aren't simply one of my Facebook friends who I'll have sent this to who'll be reading this out of a sense of pity, and are in fact someone important or even more incredibly the artist themselves and don't wish for me to be giving out your material willy-nilly, then just lemme know and I'll take the track down.)

Songs That I'm Currently Listening To:

• Spektre - Pacemaker
• LeLe - Breakfast
• Nirvana - Breed - influenced by 2many djs' storming set at Benicassim
• Sticky K - Bandari Funk
• Flying Lotus - Parisian Goldfish
• JoJo - Too Little Too Late - huge tune. too huge some might say
• Michael Jackson - Earth Song - woahhh and there was you thinking the tunes couldn't get any huger than JoJo