Showing posts with label Diplo. Show all posts
Showing posts with label Diplo. Show all posts

Monday, 21 December 2009

The Final Countdown








Da-na-na-naaaa, da-na-na-na-naaaa....
Yes yes indeed, with lesser competitions such as the X-Factor and Strictly Come Dancing and BBC3's Young Butcher of the Year already falling by the wayside, it's time for the most hotly talked about contest of the year to slam it's final axe stroke in to the craggy mountain of music that's been piling up this year, and haul ourselves over the apex to reflect upon the marvels on offer.


I'm already busy at work in the lab, conducting devious genetic experiments so that I can offer myself a shoulder to sob on as I begin to realise the gems that I've missed off the list. There are two that I'm thoroughly kicking myself over, which I missed off for various careless reasons but would have easily been bothering the top 10 - 1. Memories by Pangaea, a track that the wider population (or at least, the demographic of the population who listen to down-beat soulful dubstep) had been enjoying for the best part of half a year before Muggins McPhee here latched on to it, and 2. the hugely fun and danceable Why Don't You by Gramophonedzie, a song that I love greatly but for some reason thought was from several years ago.


And THEN there are the various tracks that Chris, Tom and Richard listed in response to my appeal for your own favourite songs lists (suggestions still warmly encouraged by the way!), so mad props to the aforementioned badmen, their lists can be found in the comments section of the previous post and are all well worth a listen.


Despite these exceptions, this top 10 is a good reflection of what I've been enjoying on a whole other level of enjoyment this year. Each one is the kind of song which lures me into putting it on again straight after it's finished, because I just can't get enough of its goodness. You may well take one listen/look at the list and emit a big fat WTF (c'mon guys, how could I NOT include Fight For This Love??), but I'd like to think that if you welcome these tunes on to your hearth and in to your hearts then we'll soon be reading from the same hymn sheet.


Unlike the YouTube links of ye olde sections of this countdown, all the ten songs have got download options, as a Christmas present from me to you. You can even download the whole lot in one fell swoop by clicking here, and choosing 'Select All' from the options at the top and then clicking 'Bulk-download Selected'. That should work. I think.


10. Florence & The Machine - Rabbit Heart (Raise It Up)


Although I'm not a wholly devoted F&tM fan, they've been really good whenever I've seen them live and there are a few tracks of theirs that I greatly enjoy. This, the second track off 'Lungs', is my favourite. A stirring, vocally wonderful song, full of mythical and mystical imagery, Rabbit Heart is a cryptic battle cry that will have you throwing your hands up in the air and saying "Lord I just don't care" much more emphatically than certain other Florence tracks that have just been released YET AGAIN.


9. Fever Ray - Seven


A voice that's instantly recognisable from her work as one half of The Knife, Karin Dreijer Andersson flew solo this year under the name Fever Ray with the release of her bloody excellent album, also entitled Fever Ray. Chock-a-block with great songs, Seven is the pick of the bunch in my eyes. The lyrical content is superbly simple and mundane - "we talk about love, we talk about dishwasher tablets", "I ride my bike up, I ride my bike down" - but there's an ever present sense of nostalgia and longing in the song, which could readily relate to romance, or death, or both. Seven has also been remixed well by Martyn, and less so by Crookers - or should I say, Crookers have cut up the vocals and plopped them on top of the same beat they use for every song.


8. Joker - Digidesign


The future's bright - the future's purple. Apparently Joker 'hears' purple when he makes his music, which means that his sound is now referred to as 'Purple Wow', he makes songs with purple in the title, he wears a lot of purple etc. So, dubstep's answer to Prince then? Well Digidesign is certainly sultry and sexy enough to tick at least some of *unpronounceable symbol*'s boxes, with a luuuurvely synth pattern that will have any dance floor 'bom-bomming' along when dropped. You'll know what I mean when you listen to it. Hopefully. Digidesign was released on a 12" with 2000F's You Don't Know What Love Is (#12 in this list), which surely makes it the sexiest EP of the year, possibly ever. If most dubstep doesn't convince you, GO AND FIND THAT EP, it's an absolute delight.


7. Few Nolder - Chika


This track from oddly named Lithuanian producer Few Nolder contains one of the cutest and most infectious tunes I've heard in a long time. The track is minimalistic techno, without actually being minimal techno -  it provokes a feeling much more euphoric than your bog standard minimal, and even has hints of dancehall throughout. When the quivering little tune finally drops after the build up, it never fails to leave me with a smile on my face.


6. Deadboy - U Cheated


In the year that saw UK urban music getting increasingly funkier, this is probably the finest example to date of the 2-step revival. A great R&B-esque vocal hook that injects a soulful mood in to the track, combined with tropical drum patterns and a funkier-than-thou bassline all make U Cheated one of the great songs to have emerged from the UK underground this year. Lovely stuff.


5. Dance Area - AA 24/7 (Diplo Remix)


I was pretty surprised when I was compiling this list to find that this song was only released this year (admittedly the original was released at the end of 2008, with the remix dropping in January), as it seems that Diplo's high-powered reworking of Dance Area's infectiously child-like AA 24/7 has been slaying dance floors for an eternity now. I believe the story behind the original goes thus: someone (quite likely to be Erol Alkan) recorded the bathroom attendant of London's The End club, Austin Boston, doing the 'rap' that features in this song on an iPhone, then Dance Area (also quite likely to be Erol Alkan) used it to form AA 24/7, a tune that was then widely played in clubs around the planet (largely by Erol Alkan). Diplo's remix crunks the track up in to a huge electro banger, even greater than the original. Never have the words 'DO IT' been such a trigger for mayhem.


4. Dusty Kid - Nemur (Wall of Guitars)


I probably shouldn't like this song as much as I do. Two things in particular should really point to it being utterly naff - the 'European singing emotionally in English' vocals, and, er, the pan pipes. Yep, that's right - pan pipes. An instrument which has sensibly been left out of the majority of songs since the likes of E-Rotic's Max Don't Have Sex With Your Ex walked the earth. But I feel that Nemur has managed to emerge triumphant, despite giving itself these two notable handicaps. The constantly pulsing beep throughout the track is what first attracted me towards it when I heard Dusty Kid use the song to close his set at Fabric in the summer, and when I went home and tracked down his album Nemur grew and grew on me. The lyrics are certainly a bit pants and don't make a whole lot of sense, but the singer (I'd guess Dusty Kid himself) sings them with a good level of feeling, and combined with the gentle guitar strumming it makes for a very sweet little track. Even the pan pipes are A-OK in my book, adding an earthy sound to the song. Could Europop vocals and pan pipes be THE sound of 2010? This excited blogger certainly hopes so.


3. Crystal Fighters - Xtatic Truth (Xtra Loud Mix)


Given the ever dwindling quality of the Kitsuné Maison CD series, this track was a real delight to find nestled on the seventh edition of the French label's compilations. This song is truly remarkable - it starts off with a kind of traditional folk guitar melody, before the ecstasy starts to kick in, hard. First with the hushed vocals reassuring us that "there's nothing left here to worry about", and then with the soaring rush of synths that come thundering in, inducing a genuine sense of rave love. If the government were to take a dab of MDMA and put this song on whilst coming up, they'd soon be on their BlackBerrys busy sending texts to Prof. David Nutt along the lines of: "David, man.... i love you. ur just such a fucking sound guy. soz about sacking u and all that, u were totally right all along man. i'm in fucking outerspace right now nutty, there's like totally nothing left to worry about. we should go to fabric sometime yeah? i fucking love you david, peace out xxxxxxxxxxxxxxx"


2. Gui Boratto - No Turning Back


No sooner have we finished with one entrancingly euphoric beast of a song, but another one pops up. No Turning Back is somewhat like the 'Green Mile' of the music world - it's not the subtlest when it comes to piling on the emotion, but the end result is a thing of beauty nonetheless. The melody rises optimistically with synthetic distortion before mournfully sinking back down with a feeling of inevitable despondency, with this sense of melancholic futility reflected in lyrics such as "I can show you the way but I know that you'll never be there". However the track still maintains a euphoric atmosphere, in the kind of way that you can imagine it closing a set in a club and you'd leave feeling thoroughly contented and at peace.


1. Joe McElderry - The Climb
    Florence & The Machine - Drumming Song (Boy 8-Bit Remix)


So, here we are. This, ladies and gentlefolk, is my favourite song of 2009. And what better song to top the list than this outstanding reworking of an already excellent song - Joe's voice compliments the lyrics of Hannah Montana's original perfectly, and he really makes the song his own in - oh wait, I'm confusing myself again.


No, my favourite song of the year has actually been the superb Boy 8-Bit remix of Drumming Song, a track which showcases both Florence Welch's vocal prowess and David Morris' masterful production skills, both of which have been a regular fixture on my stereo throughout the year. Boy 8-Bit slices out the finest vocal cuts of the original - which although good in its own right will plod along painfully slowly when listened to in the aftermath of the remix - and forges them in to an exhilarating force that seizes and drags you in to the world of Florence's inner emotional conscience, with Boy 8-Bit's commanding drums holding you firmly fixed in place as the drumming noise inside her head gets louder and LOUDER. It's that bit, at the heart of the track, that really pushes this track from great to truly amazing - the loop of "it fills my head up and gets louder, and louder" steadily grows in volume and strength until it's one of the most gripping things you'll ever encounter in any song. With each repetition it builds in fortitude - if it had continued any longer then it'd probably have been classed as a realistic threat to the nation.


Boy 8-Bit's had a great year, with other highlights including the Baltic Pine EP and a remix of La Roux's Quicksand, but for me this his finest work, and the finest work of the year FULL STOP.




So there we are, that's the end of my Top 50 Favourite Songs of 09 list. All that's left to say is that I hope you agree with at least some of my choices, as well as WELL BLOODY DONE TO RAGE AGAINST THE MACHINE AND MR AND MRS MORTER, definitely one of my favourite music-based days of all time.


And I've just realised I uploaded some songs the other day which haven't been used yet, so here's a quick Classic Track + Songs I'm Currently Loving...


Classic Track: J Dilla - Workinonit - this blog would have a lot less musical content on it if it wasn't for the influence that J Dilla has had on artists in the Flying Lotus mould, he was a true master of innovative hip-hop who tragically died of blood disease in 2006. Genuinely up there with the biggest in terms of losses to music, but his legacy looks set to be manifested long in to the future.


Songs I'm Currently Loving:

  • Rustie - Inside Pikachu's Cunt - it's immediately obvious why it would be an abomination if I didn't post this song, fortunately it's also a very enjoyable listen.
  • Inside Out Boy & Vogel - Cazzo! - what do catchy electro bleeps and the operatic stylings of Andrea Bocelli have in common? Answer: they both feature on this track by Inside Out Boy & Vogel, which is one of two tracks from their newest EP which, in keeping with the festive spirit, they are gift-wrapping for free download: Cazzo! / Adrenochrome EP. Adrenochrome is equally great, this time deploying a Fear and Loathing sample on top of a sinisterly creeping beat that could easily soundtrack one of Hunter S. Thompson's more spookier trips.
  • Movado - Neva Believe You - soulful Caribbean vocals? Check. Downbeat dancehall riddim? Check. 90's-rave-sounding piano riff? Check. Lazy 'end of blog' unimaginative use of a check list to replace writing a proper summary of the song? Check.
An End of Year albums list has been compiled, but probably won't be along til the start of 2010. So if the magic of Christmas is waning for you, then that'll be something to keep your heart pumping and eyes eagerly wide open as you lie in bed at night. Merry Christmas one and all, I hope you all get what you want in your stockings. All I got last year was feet.

Tuesday, 18 August 2009

Bestival

Certain things in life are overrated. The Ramones, for instance. The Inbetweeners. Most American foods. Free periods at school. All might seem "cool" or "sexy" or "big and clever" at first, but when it comes to pouring the milk on the cornflakes they're exposed to be stale and unsavoury, and you find yourself miserably tipping the contents down the plug-hole. Bestival, however, is truly a pint of Cravendale's finest. Run by Radio 1's Rob Da Bank (who, by the by, recorded a damn fine Fabric Mix which is well worth tracking down) and set on the (probably) picturesque Isle of Wight, Bestival is a festival that transcends the usual festival experience and offers you a vast array of treats and distractions - so much so that you might well find yourself wandering around a forest the whole day, sitting on plastic toadstools and pretending to be a little fairy man, before slumping back in to your tent in a blissful daze and drifting off in to a contented slumber, thus entirely missing a whole Saturday's-worth of music. Including The Sugarhill Gang. And Aphex Twin (not together, you muggins). IT DOESN'T MATTER THOUGH, as all of this is wrapped up neatly in a bundle of good vibes and friendly atmospheres, so any music that may be going on is simply a nice little bonus to the already great times that you will be having. However, having an amazing array of music on the line-up sure does make that nice little bonus all the sweeter.

Here are a selection of acts on this year's bill that I think are well worth checking out if you're going, or cyber-investigating if you're in the sorry position of not having a ticket and aren't already aware of them. Needless to say, Elbow will not be appearing on this list. In fact, they should have led the list of 'overrated things' at the start of this post; they are truly cack. Since they won the Mercury Prize and were added as headliners to my two festivals this year, I've been earnestly trying to 'get' them, to appreciate their music as seemingly everyone else does. However the fiendish little buggers have consistently withheld any indication of their quality from me, and even after patiently standing through their headline set at Benicassim I am still none the wiser as to why they have not been chased from this country and sent in to exile in Boringville. Underworld headlined the Sunday last year: mind-bogglingly immense. Elbow this year: may the Lord have mercy 'pon our souls. Hopefully the following acts should shine some sunlight out of the musical arse that is Elbow.


Kate Bush-obsessed Swedish techno producer The Field is definitely in my Top 2 to see this year. Following ultra-amazing debut album From Here We Go Sublime in 2007, he's just released the follow-up entitled Yesterday and Today, which I have just downloaded but haven't listened to fully yet so I dunno if it's good. From a bit of listening though I'd say it certainly is. If you haven't come across him already and were put off by the 'techno' of the opening description, then allow me to clarify a bit. His songs are really a bit of techno, a bit of shoe-gaze, a bit of trancey stuff, a bit of ambient bizniz, and, er, all seem to lead back to Kate Bush. Well not ALL of it, really just a couple of tracks on the first album. And his MySpace profile quote. But it's all good stuff, and you should check him out. Here's a track from his new album, a cover of The Korgi's classic 'Everybody's Gotta Learn Sometime', which will unfortunately probably be best known for Beck's not-very-good version used in Michel Gondry's not-very-good film Eternal Sunshine of the Spotless Mind.


And here's a track from debut From Here We Go Sublime: Silent

Right, moving on to...

Diplo/Mad Decent Soundsystem/L-Vis 1990

The Bestival line-up has 'Diplo presents The Mad Decent Soundsystem' listed, which I think is fair to presume is just a glorified way of saying "Diplo's DJing". Which is good, 'cos Diplo is bloody nifty. I saw him at Wax:On in Leeds earlier this year where he was ace, and his Radio 1 Essential Mix from a couple years back is really most enjoyable: http://fiftyonefiftyone.com/2007/09/diplo-essential-mix-91507.html
His Mad Decent label has released a steady stream of bad-ass tunes over the years, including recently the work of Major Lazer, consisting of Diplo himself, along with Switch. Two DJs who are both individually great, but seem to have given birth to a distinctly average creation in ML. Their tropical-infused songs seem more fitted to the dancefloor rather than bedroom listening though, and I will be looking to give them another chance as the Lazer are also playing Bestival this year.

If you've read any music blog in the past 6 months or so then you'll most likely already be clued up to the eyeballs about L-Vis 1990, and until I've finished sifting through the contents of his wheelie-bin then there's really nothing else about him I can add here. For now all you need to know is that I spent ages trying to find this particular tune to upload on here, but have discovered that it's been completely wiped off the face of the free file-sharing world. Which, I'm sure I'll come to realise someday, is probably a good thing. Anyway, here's the YouTube video of United Groove: http://www.youtube.com/watch?v=RI2lUIsSdPs

Martyn

Now, be warned, in this next bit I'm gonna 'go there'. That's right - 'there'. So just a heads up before we go any further. Right - In my opinion, dubstep, 'the sound of the summer', is getting boring. I'm not saying that new dubstep releases are more boring than they were, say, two years ago, I just think there's only so much off-beat, heavily squelching bass that I need in my life. Quite a lot of dubstep tunes literally give me a headache when I listen at home, and I have to turn it off, or switch to something more ambient/shoe-gazy/trancey/techno-y. Much of what once seemed so gloriously shuddering has turned in to over-the-top sample-filled tat, and I don't like it, sir. What's needed, really, is something that will make the nation's 15 year-old's get their little heads in a whirl and think "hey, THAT'S not dubstep?!", before anxiously consulting their FabricLive 37 for guidance. That's why England needs to relinquish control of dubstep, and let the internationalists take over. Flying Lotus and his Brainfeeding chums (Daedelus, Nosaj Thing, Samiyam etc) are just what the doctor ordered, as is a chap from the Netherlands that calls himself Martyn. Forward-thinking music that takes dubstep and mixes it with a whole bunch of other goodies, without even a hint of a Guy Ritchie film snippet thrown in. If you're currently sitting at home scribbling down a list of 'Best Albums of 2009', then Great Lengths should hold a place right near the top. Here's a track from said album: Elden St.

Billed as part of 'Dublime presents Appleblim, Martyn & Reso', that should be a slot well worth catching.

And now, a quick run down of a few other acts that should make this year's Bestival pretty tasty:

  • Squarepusher - One of Warp Records' finest, the legendary experiMENTAL producer/DJ should deliver a mind-melting set, so bring a saucepan to collect the drips. Planetarium
  • Hudson Mohawke - Another Warpster, HudMo should, er, deliver another mind-melting set. He's got an album coming out in October, so this should be a good chance to have a little peek at material from that. Oh, what's this? A little peek of material from his album EVEN BEFORE BESTIVAL? Christ almighty, this blog is just quite brilliant isn't it. Rising 5
  • Massive Attack - You might've heard of them. They're pretty good, really.
  • Buraka Som Sistema - Here's a remix they did of an artist that you should sell your grandmother to go and see (but sadly isn't playing at Bestival this year), Lykke Li. She's awesome live. And I could do with your grandmother around the house. Dance Dance Dance (Buraka Som Sistema Remix)
  • The Cuban Brothers - There's no trace of sarcasm when I say they'll probably be the most entertaining act you see all festival. Main stage, be there.
  • I've saved the most obscure until last, in the form of three female acts who, although probably off your radar at the moment, I predict will soon rise to great things - La Roux, Florence & The Machine, and Little Boots. Don't be scared by these unfamiliar and strange-sounding names, if my finger is as much on the music scene pulse as I believe it is, you'll soon be hearing a lot more from these underground gems.
And thus concludes what is arguably the first proper post this godforsaken blog has produced so far. 1 out of 4 isn't too bad really now is it? As a bonus treat, here's a golden classic, by one of the mega-highlights of last year's Bestival:

George Clinton & Funkadelic - One Nation Under A Groove

Cyaz @ tthe festyval guyz!!!!!! ! ! ! !!!